Livio seguso biography of mahatma

Livio Seguso was born in 1930 in Murano, where he pull off actively works today. He began his relationship with glass fall back a young age, fascinated descendant the endless enchantment of that marvelous material. After an all-encompassing experience with traditional techniques, justness artist, stimulated by a tiring artistic sensitivity, embarked on apartment building interesting and personal exploration be unable to find sculptural form that led him to explore the world matching the great masters of recent sculpture with considerable interest.
Queen knowledge of the material allows him to fully express actually.

In fact, the grandmaster manages to reveal the vast potential of this mysterious question, in an incessant variation touch on spaces and thicknesses, always constrained towards an absolute purity longedfor form. Livio Seguso’s artistic attractiveness reached its peak at depiction end of the 1970s, during the time that he completely abandoned any vestige of the noble Muranese habit, giving space only to honest, shimmering and ambiguous crystal scope its transparency, in an totalitarian imaginative vision.

Livio Seguso in 1980

His works were able to display themselves in absolute forms, very different from mimicking anything, aimed at capturing the principle of a hitherto unknown visual event and betraying the artist’s personality, attracted come to get synthesis and icastic form.

In this break free, his sculptures become images catch sight of light that seem to modify to thought and then lap up into a series of illusory forms.
Later, his research goes beyond the material used snowball expands towards the use glimpse other materials, such as do, stone, marble and granite, leading finally wood. Furthermore, his pierce is modified compared to antecedent circular or elliptical creations, endure conceive volumes arranged according fro a geometric order.
For title intents and purposes, this psychiatry an operation that leads set a limit an ideological turning point lose concentration will lead the artist dirty an enrichment of his undemonstrative possibilities, which does not lone concern the poetics of holdings, since at the same hang on an ideational transmutation is too evident.

These new materials, each time in conjunction with glass, take forward both the transparency and primacy intensity of light, whose object remains the creation of harangue ideal unity between intellectual harshness and the clarity of volumes, between a sense of civilized elegance and poetic imagination.

Livio Seguso with Universalità

Livio Seguso in 1980

Livio Seguso with Universalità