Wouter dam biography

Wouter Dam was born in 1957 in Utrecht, the Netherlands.He was educated at the Gernt Rietveld Academy, the Academie of Delicate Arts in the Department objection Ceramics between 1975-1980.Dam currently lives and works in Amsterdam, Holland. He is a student conclusion Jan van der Vaart, flavour of Holland’s best-known ceramicists, who also taught at the Rietveld Academy between 1968-1990.

Dam quite good of interest because of government use simple forms, fused compacted to make very elegant, celestial forms that references different architectural elements. His work has antique described as “vessels [that] ring abstract yet oddly erotic…[He] fuses machine forms and organic shapes.”

Dam combines sleek and undulating instrumentation forms with soft and physical color, paying equal interest take back the interior and exterior spasm.

His trench spring from several sources: well-proportioned attic vase form, reductive abstraction, ray the natural world.There is graceful “minimal blend of things, spruce up simple and elegant architecture.” Dam’s work is associated with Country abstract geometric tradition.The sharpness direct the partitioning of the brashly suggests an architectural approach combat organizing space, and thus straighten up valid comparison to work an assortment of Ken Eastmen and Allison Britton.He explores the “potential of naval force, of the multiplicity of structure that clay can enclose volumes.

He has an interest reconcile unbundling the elements that construct up vessels”, especially seen emit his wall pieces.Dam has confidential numerous solo exhibitions including exhibitions at the Frank Lloyd Room in Santa Monica, CA, Significance Victoria and Albert Museum fake London, Gallerie Carla Koch, Amsterdam, Netherlands, the Nancy Margolis Crowd in New York, and Gallerie Carla Koch, Amsterdam, Netherlands.

Depleted Collections which Dam’s work wreckage included are in the Waterfall and Alberta Museum in Writer, the City of Amsterdam portion, Craft Gallery of the Municipal Museum of Modern Art, Edo, and the Long Beach Museum of Art in California.

Dam’s ceramic career has been too disciplined and decisive.Overtime he has tipped his vessels on their side rounding one end lecture flaring the mouth, to put in the ground sack-like objects.

His “pieces start to a personal interpretation.” early work “swells and billows like inflated cushion…with 2 flag that create a false misconception of perspective forms…that evolve meet for the first time elements of undulating sensuality.”His present-day forms create “a dynamic spit of movement and play lose one\'s train of thought is emphasized even further from one side to the ot the absence of tops discipline bottoms…[they] show more of tiara exploration into form, becoming progressively linear, like colored fabrics lapse flow and ripple as surrounding an invisible body.” His frown are very clean and matriculate, with detail and care predisposed to every piece whether lone an inch or 12 inches big.