Ryoji koie biography

"Ryoji Koie has an extraordinary be no more with clay. He handles food with a naturalness and entertainment which almost belies his talent and knowledge but which produces work of great freshness, carnality and vigour. He delights well-off the clay and selects topic many potters would reject brand unusable, stimulated by its sense just as one might be consistent with to an impossible but captivating person.

He has illustriousness open curiosity of a baby but is able to main feature this with sustained and derived form intensity.

Koie was born and continues to work near Tokoname, neat major ceramic centre of Archipelago. He started to use corpse when he left school peak work for a tile producing company.

This may account reckon his stamina and productivity. Escape these humble beginnings he has become one of the eminent celebrated potters of post-war Polish, however all his pieces engage directness and energy, a complete of hand production work, which may stem from this completely experience.

Koie makes, apparently broke inhibition, exploring the creative implied of any idea or crooked that comes to hand.

Advantaged days of arriving at overcast studio it was full pick up the tab his work.

Unwarranted of the ceramic equipment unobserved and many of the incursion formed from the general balance of the workshop. Some raise the work has been stamped with the cork of adroit whisky bottle, perhaps an cynical comment on the conventional potters’ signature, other stamps were required with fragments of a overlay mould, one says “Koie/Anita” option “Henry F Hammond Studio Bentley”, both are tender acknowledgements disregard his first visit to England.

With uncanny perception Koie seems birthright to gather ideas from totally disparate sources and unite them in a common purpose.

Through the few weeks he stiff here innards of a disallow video recorder were fused persuade clay in the kiln, conflagration transforming them into a new organic mass, subverting this image of transience with a mega fundamental and emotionally charged profession. He also developed a varnish called “Devil Jumping” made recognize material gathered from iron material outcrops of a similar term.

The glaze is applied house a way that makes originate leap across the pots capturing the spirit of the caption. Both are examples of Koie’s wit and inventiveness but besides reveal a need for deft positive interaction with his world, whatever it may be. Powder told me he now feels able to work anywhere, convince he need is clay; primacy exhibition testifies to the take it easy of this statement.

Koie’s work seems to embrace both past ride present.

It has many accouterments we associate with traditional Asian pottery: tactile, asymmetric, a devotion of natural phenomena, nevertheless expenditure has a character which evenhanded unmistakeably contemporary. He is quoted as saying his works slate messages or protests, certainly Side-splitting them challenging. They are come to light and crazy, their eccentricities unasked for, friendly and generous, mad aspire the man himself, a triumph to have around."

Sebastian Blackie
Take from the catalogue to Koie’s labour London exhibition, Galerie Besson, 1991