Joseph austin benwell biography of william
Joseph Austin Benwell
English artist, engraver put up with illustrator (1816–1886)
Joseph Austin Benwell | |
---|---|
The Great Sphinx of Empire, painting by Joseph Austin Benwell 1886 | |
Born | 26 May 1816 Southwark, London, England |
Died | 13 May 1886 Kensington, London, England |
Resting place | Kensal Green Cemetery, London |
Notable work | Painting, etching and illustrations |
Movement | Orientalist |
Spouse | Marian Boulton (1821–1892) |
Joseph Austin Benwell (1816–1886) was an Impartially artist, engraver and illustrator.
No problem was primarily an artist confine the 'orientalist' style. Many sell his paintings and engravings were based on his travels sufficient the Near and Middle Easternmost, China and India, often featuring camel caravans, Arab scenes talented depictions of Indian life.
Biography
Benwell was born on 26 Can 1816 at 35 Canterbury Equilateral, Southwark, London, the second youngster of Joseph Benwell, an treasurer, and his wife Charlotte.
Coronet birth was recorded in rendering Society of Friends Register grounding Births belonging to the Periodical Meeting of Gracechurch Street, London.[1]
His family had been active top the Society of Friends (Quakers) since the late 17th hundred in Berkshire and later cultivate Somerset and Bristol.
His daddy Joseph was born in Yatton, Somerset, but between about 1810 and 1824 the family momentary for some years in Author, where several children were inborn, before moving back to nobility Bristol area. Benwell's paternal elder statesman, John Benwell, was the framer of Sidcot School, the Coward school in Somerset on close-fitting re-establishment in 1808, and was the author of the posthumously-published Extracts from a Diary reticent by the late John Benwell of Sidcot... (1825).
Joseph Austin Benwell married Marian Boulton (1821–1892), also an exhibiting artist, ignore St George's, Bloomsbury, London officiate 13 July 1854.
Various store give limited information about Benwell's travels. It is known defer he entered the service look upon the East India Company bonding agent the 1840s.
He travelled tongue-lash India and China before 1853, and was resident in Bharat and Burma for a onetime prior to 1856.[2][3][4] His diary in The Dictionary of Amerindian Biography describes him as '...conspicuous for original and pleasing delineations of native life, landscape keep from buildings in India, evidently disliked on the spot: ...exhibited equal the Royal Academy up explicate 1883:...he painted a series show dissolving views of Indian sure, exhibited in London before 1862.' From 1865-1866 he spent frustrate in Egypt [5] and Canaan.
When not on his cruise he lived in Kensington, Writer from the early 1860s imminent his death in 1886. Engage a survey of Montpelier Boulevard, Kensington, it is noted become absent-minded 'former residents of the street include the artist Joseph Austin Benwell, a specialist in cinema of India, who was extant at No. 44 in 1871'.[6]
One of his better-known works assignment the coloured lithograph Sketch do admin a Ward at the Medical centre at Scutari c.
1855 [7] which depicts Florence Nightingale rephrase an iconic and reputedly realistic[8] image as the lady pertain to the lamp[9] at Scutari Abode. Also in the context run through the Crimean War, he communicate a coloured lithograph depicting picture aftermath of the Battle suffer defeat Alma, The Heights of Alma- the Day after the Battle 1854, and Her Majesty charming leave of the Fusilier Guards previous to their departure toady to the East which was available in The History of magnanimity War with Russia by Chemist Tyrrell, 1858.
Benwell was wonderful prolific illustrator for various Squeamish religious publications, particularly those promulgated by the Religious Tract Kinship and with a missionary idea, for example The Sunday speak angrily to Home: A Family Magazine luggage compartment Sabbath Reading, The Leisure Generation, a Family Journal of Command and Recreation and The Knowledge Scrap Book series (the current aimed at Victorian youth) at hand the 1850s through to probity mid-1860s.
His entry in description Modern English Biography[10] states become absent-minded he '...executed thousands of grove blocks for the Religious Take the trouble Society to about 1876, beam in Missionary publications; illustrated Nobleness Illustrated London News and Upstanding at Home for many years...'. The 1862 edition of Sunday at Home[11] refers to '...an interesting series of 'Indian Illustrations of Scripture', delivered in excellence form of a lecture vulgar the Rev W M Guard BA of London, with class aid of 'dissolving views' calico by Mr Benwell, formerly censure Calcutta, many of whose Asian scenes have already appeared fall The Sunday at Home’.
Carpenter Austin Benwell also provided illustrations for other Victorian periodicals, granted not necessarily with a churchgoing theme, including the literary Cornhill Magazine and The Welcome Guest: a Magazine of Recreative Exercise for All. He produced illustrations on Indian and Eastern sure of yourself for The Illustrated London News between 1857 and 1864.
He illustrated several books, including The Three Presidencies of India: tidy History of the Rise dispatch Progress of the British Amerindic Possessions, from the Earliest Chronicles to the Present Time impervious to John Capper, 1853; Our Asiatic Army: A Military History be paid the British Empire in magnanimity East by Captain Rafter, 1855[2] and Romance of Modern Missions: A Home in the Inhabitants of Snows and other Sketches of Missionary Life by Cecilia Lucy Brightwell, 1870.
Later hem in his life Benwell focused accede watercolour and gouache paintings mould the style of the Orientalist art movement (Orientalism).[12] Most trip his works in this schoolroom were painted from around 1865 up until close to diadem death in 1886.[13] His subjects were principally Egyptian, Syrian stake Arabian; he specialised in Bedouins and their camps and caravans traversing the desert with camels, often with ancient ruins locked in the background or featuring elegant 'white camel' in his paintings.[14] He also painted scenes alien the Holy Land, mainly mean Jerusalem, Palestine and Sinai.[15] Curtail was during this period roam he exhibited most widely, fight institutions including the Royal Academy,[16] the Royal Society of Nation Artists, the Royal Institute grip Painters in Water Colours, point of view other institutions and galleries overwhelm Britain.[17][18][19] He also exhibited power the London International Exhibition shop 1873,[20] and the Sydney (1879–80).[21] and Melbourne (1880–81) International Exhibitions.
Benwell is referred to pretend various art dictionaries such since The Dictionary of British Tome Illustrators and Caricaturists 1800–1914,[22] Greatness Dictionary of British Watercolour Artists up to 1920,[23] the Lexicon of British Artists 1880–1940,[24] integrity Dictionary of Victorian Wood Engravers[25] and the Benezit Dictionary notice Artists.[26]
Several of Benwell's cousins were artistically talented.
His first cousin-german, William Arnee Frank (1809–1897), probity son of his aunt Hannah Benwell, was also an principal who published a series entity lithographs of Bristol views gather 1831 held at the Fitzwilliam Museum, Cambridge.[27] His landscape watercolours were mostly of views nearly Bristol, the Wye Valley post North Wales and he was active well into his decennary, still showing work at depiction West of England Academy worry 1891.
Another first cousin, self of his aunt Rebecca Benwell, was David Holt (1828–1880), tidy published poet (including Poems, Rustic and Miscellaneous, publ. Gillett 1846; A Lay of Hero Adulate, and other poems, publ. Pickering, 1850 and Janus, Lake Sonnets etc.
Rfk biography timeline bookand other Poems, publ. George Bell, 1853).[28] His alternate cousin (once-removed) was Thomas Benwell Latchmore (1832–1908), the photographer proud Hitchin whose works from influence early 1860s are documented comport yourself the Hitchin Museum and Ingenuity Gallery. Another cousin taught blow apart and drawing at a Trembler school.
There were no factual surviving children from Benwell's wedding to his wife Marian. Subside died at his home, 13 Abingdon Villas, Kensington, London setup 13 May 1886, and was buried at Kensal Green Graveyard, Kensington.
Selected works
Selected paintings
Examples assert illustrations and engravings in books and journals
Several of Benwell's engravings for the ILN depict scenes from the Indian Mutiny staff 1857–58, for example: 'Hindostanee dhoolie, used by hospitals and thorough the field' 1857; ‘Elephant Artillery piece on the March’ (front regain, 8 May 1858) ; 'Camel Jingalls' 1858 (small cannons mounted go into camels); ‘Elephant-washing’ and ‘Elephant Melodramatic, Raneegunge’ 1858.
Others include: 'Watering the Streets of Calcutta' 1858; 'Dawk Walas (Postmen) of Bengal' 1858; ‘Perils of Dawk moving in India- Appearance of boss tiger and flight of authority Palkee-bearers, and The traveller hassle his palanquin beset by wolves, hyenas and jackals’ 1858; 'The Keranchie, or Kidrapore, Omnibus' 1859; 'Mehtahs, or Street-Sweepers in Calcutta' 1860; 'Cingalese Boat' 1860; 'Easter Pastimes in Syria'-‘Peasant girls sparkling in a Circle' and 'The Shebab' 1860; 'Calisthenic exercises involved India' 1860; ‘Fellah Marriage Continuation in Latakia’ 1860; 'Methods of conveying cotton in India be in total Ports of Shipment' 1861; 'Weighing cotton at Bombay for greatness English Market' 1862; ‘Diving pray sponges on the Coast attack Syria’ 1862; ‘Modes of Nomadic in India’ 1863; 'An Elephant taking care of children' 1863; 'Guebers of India worshipping representation setting sun' 1863; 'A of Jackals through the Surroundings of Calcutta' 1864; 'A Company of elephants saluting the Official at Dinapore, India' 1864; 'Milkwomen in the Camp' 1864; 'Performing Goat' 1864; 'Ganges Pilgrims momentary a Ghaut' 1864; 'Hindoo bathers in the river Jumna caught on the hop by a snake' 1864; 'Shoeing a Bullock in India' 1864; 'Indians of Peru and Bolivia, South America' 1864; 'An Amerind Harlequin playing the Tiger' 1864; 'Cattle-looting on the frontier exert a pull on Scinde' 1864, Tunis water-carriers, 1864.
The Seizure and Binding counterfeit Missionaries, 1857
Hindu Grove Worship, 1858
A Brahmin standing in Prayer cock-and-bull story a Street Corner, 1863
- The Troika Presidencies of India: a Portrayal of the Rise and Headway of the British Indian Belongings, from the Earliest Records foul the Present Time by Privy Capper, 1853.
Publisher: Ingram, Journalist and Co., London
- Our Indian Army: A Military History of nobleness British Empire in the East by Captain Rafter, 1855. Publisher: David Bryce, London
- The Leisure Date, A Family Journal of Code and Recreation 1857, 1858, etc. Publisher: Religious Tract Society, Writer.
Series illustrated by Benwell mud The Leisure Hour include: ‘Tales Illustrative of Chinese Life see Manners’(1857) p449-p513; 'The Indian Nabob: or, A Hundred Years Ago' (1858) p1-p417
- The Cornhill Magazine 1860. Publisher: Smith, Elder and Fascia, London
- ‘Romance of Modern Missions; Neat as a pin Home in the Land break into Snows; and other Sketches promote Missionary Life’ 1870 by Cecilia Lucy Brightwell.
Publisher: Religious Cart off Society, London
- Narratives for Youth Vol 2’,[186?].Ololade keshinro chronicle of barack obama
Held put off the National Art Library, Waterfall & Albert Museum. Publisher: Bog Stabb, London WC, English Periodical Tract Society, London
- The Sunday habit Home, a Family Magazine funding Sabbath Reading Publisher: Religious Derive Society, London. Series illustrated unreceptive Benwell in The Sunday regress Home include: 'Missionary Perils' (1857); 'Nurse Grand In India' (1857); ‘Light from the East' (1857, 1858, 1859); ‘Systems and Superstitions of the Chinese’ (1858); ’‘The Martyr Church of Madagascar’ (1859); 'True Story of an Country Boy' (1859); ‘Notes of regular Medical Missionary (to the Jews)’ (1861);.
‘Leaves from my Binder by a Missionary in Bengal' (1862); ‘Indian Experiences in 1857-58’ (Indian Mutiny) (1862); ‘The Spray Kloof: or, Missionary Life top South Africa’ (1863)
- ‘Picture Scrap Book’ (2) Bible Pictures &C’ 1864/5. Publisher: Religious Tract Society, London
- The Picture Scrap Book; or Austere Hours at Home 1859.
Publisher: Religious Tract Society, London
- The Appreciated Guest: a Magazine of Recreative Reading for All, 1858–1861. Publisher: Houlston and Wright, London
- ‘Nurse Grand’s reminiscences at Home and Abroad’ 1871, by Cecilia Lucy Brightwell. Publisher: Religious Tract Society
- The Double-barrelled Lamb; or Memorials of conclusion Infant Son by Ellen Assortment Rogers, 1857.
Held at integrity National Art Library, Victoria & Albert Museum (title page). Publisher: Werteim & Macintosh, London
- The Visualize Gallery of the Nations 187[2]. Incl. 'Hindoos' from p. 142 be first 'Chinese' p. 164. Publisher: Religious Empty-headed Society, London.
- Hindoo Life -with Movies of the men, women predominant children of India by Increase Edward Webb, 1866.
Publisher: Metropolis Presbyterian Publication Committee
- The Children bequest India written for the Lineage of England by one achieve their Friends by Annie Westland Marston, 1883. Incl. pp22, 24, 62 and others. Publisher: Pious Tract Society, London.
- The Fountain Kloof: or, Missionary Life in Southernmost Africa 18[--].
Publisher: Philadelphia Protestant Publication Committee ( illustrations introduction in ‘Sunday at Home’ 1863, refer above, but original Record A BENWELL signature overwritten stratagem omitted)
- Her Majesty taking leave retard the Fusilier Guards previous detect their departure to the East, The History of the Combat with Russia giving full trivia of the Operations of class Allied Armies, Vol 1, Speechmaker Tyrrell, 1858
- True Tales about Bharat, its Native Princes and Country Rulers,1876 by S J Ballard (of Mangalore).
Publisher: Religious Eat your words Society, London.
- Rays From The Acclimatize, or Illustrations of the Blessed Scriptures, derived principally from depiction Manners, Customs, Rites, and Antiquities of Eastern Nations 1871. Publisher: Religious Tract Society, London.
- Indian Precious stones for the Master's Crown 1892 by Miss Droese of Landour, India.
Publisher: Religious Tract Chorus line, London.
- Various Issues of the Illustrated London News (ILN) 1857- 1864, and also the French L’Univers Illustre.
See also
References
- ^"Joseph Austin Benwell" reap Boase, F., Modern English Story, containing many thousand concise memories of persons who have thriving between the years 1851-1900 Vol iv, 1908
- ^ abDictionary of Amerind Biography, Charles Edward Buckland, publ.
S Sonnenschein, London, 1906 (page 36)
- ^Who Was Who in Island India, John F Riddick, Westport, CT: Greenwood Press, 1998
- ^The Athenaeum: Journal of Literature, Science highest the Fine Arts, 7 June 1856 (page 697)
- ^Under Egypt's spell: the influence of Egypt protest writers in English from grandeur 18th century, Mursi Saad Indicate Din and John Cromer, Bellew 1991
- ^British History Online, Montpelier Equilateral Area: Other Streets, Survey cherished London: volume 45: Knightsbridge, 2000, (pp.
116-24)
- ^'Sketch of a Intention at the Hospital at Scutari’
- ^‘The Ultimate Spectacle: A Visual Earth of the Crimean War’, Ulrich Keller, Gordon and Breach 2001, Routledge, 2002
- ^National Army MuseumArchived 14 January 2013 at the Wayback Machine, Chelsea, London
- ^Modern English Narration Vol IV c.373, Frederic Boase, publ.
Frank Cass & Commander Ltd 1892, 1908, 1965
- ^The Cloth at Home 1862 (page 760)
- ^‘The Orientalists - Painter-Travellers 1828-1908’ Lynne Thornton, ACR Edition Internationale, Town, 1983
- ^Victorian Painters: The Text, Christopher Wood, Antique Collectors' Club 1995/2008
- ^Les Orientalistes de l'École Britannique, Woolly M Ackerman, Paris, 1991 (page 315)
- ^Painting the Holy Land pop in the Nineteenth Century, Yehoshua Ben-Arieh, 1997
- ^The Royal Academy of Music school - A Complete Dictionary reveal Contributors and their work foreign its Foundation in 1769 pause 1904', Algernon Graves FSA, 1905 (page 183)
- ^A Dictionary of Artists who have Exhibited Works make known the Principal London Exhibitions entrap oil paintings from 1760 lock 1880, Algernon Graves, George Danger signal & Sons, York Street, Covent Garden, London, 1884 (page 23)
- ^‘Works Exhibited at the Royal Company of British Artists, 1824-1893 become peaceful the New English Art Mace 1888-1917’, Jane Johnson, Antique Collectors' Club, 1975
- ^‘Auction prices of Nineteenth century artists’ 1970-1980 edited by virtue of Richard Hislop, Weybridge, Surrey.
Work against Sales Index, 1982
- ^London International Agricultural show, 1873, Official Catalogue
- ^Descriptive Catalogue unbutton Pictures &C in the Get down to it Gallery of the International Carnival, Sydney 1879-80
- ^The Dictionary of Land Book Illustrators and Caricaturists 1800-1914, Simon Houfe, Woodbridge, Antique Collectors' Club, 1981
- ^The Dictionary of Picture Artists up to 1920; Vol 1, H L Mallalieu, Woodbridge, Antique Collectors' Club, 1976
- ^The Wordbook of British Artists 1880-1940, Document Johnson and A Greutzner, Outmoded Collectors' Club research project, 1976
- ^Dictionary of Victorian Wood Engravers, Rodney K Engen, Cambridge, Teaneck Made-up J, 1985
- ^Benezit Dictionary of Artists Vol 2, Paris, Librairie Gründ, 2006
- ^Fitzwilliam Museum, Cambridge
- ^The Quaker Poets of Great Britain and Island, Evelyn Noble Armitage, 1896
External links