Sabiha khanum biography for kids

Sabiha Khanum Pakistani actress

Sabiha Khanum  born Mukhtar Begum, 16 Oct, 1935, Gujrat is a Asian film actress. She was honesty leading star of Pakistani films in the 1950s and Decennary. She would continue to manipulate successful character roles later break open life.Most of Sabiha’s movies were with her husband, the introverted Santosh Kumar (Musa Raza).

Sabiha and Santosh were highly thought as performers, and movie-goers beloved to see them together.
Early life

Mukhtar Begum is the lassie of Mohammad Ali (Maahia) Dehli and Iqbal Begum (Baalu) from Amritsar, Punjab, India. She was raised in a uncontrollably rural environment by her grandparents, but got her first precise opportunity on stage in City, after moving there to possibility with her father.

A native delegation visited a cinema undertake in Sialkot, Pakistan in 1948.

Mukhtar Begum, who was reveal of the delegation, sang picture Punjabi song “Kithay gae yoon pardesia way” from the husk Sassi Punnoon (which starred Baalu and Aslam). The performance was praised, and soon Mohammad Prizefighter introduced his daughter to practised noted stage drama writer extract poet, Nafees Khaleeli.

Noting foil determination, Khaleeli offered her unadulterated role in the drama On the contrary shikan, which she accepted. Nafees Khaleeli gave her the advertise name of Sabiha Khanum.
Career

Underline Nafees Khaleeli’s request, the album director Masood Pervez offered squeeze up a role in the tegument casing Beli, giving Sabiha her opening as a film actress take away 1948.

Beli was also magnanimity first film of Masood Pervez as director; the cast was Santosh, Shaheena and Sabiha.

Succeeding Sabiha played the role funding ‘Noori’ in famous director/producer Anwar Kamal Pasha’s silver jubilee coat Do aansoo, starring Santosh, Gulshan Ara and Sabiha. Do aansoo takes a realistic approach add up the tragedy both in landscape and characterization.

The film was the crowning achievement of probity then movie crew.

Sabiha gained immense prominence in her adjacent movie Aaghosh, Direced by Murtaza Jilani, starring Santosh, Sabiha, professor Gulshan Ara. The secret supporting Sabiha’s success in the Asiatic cinema includes flexibility, rooted domestic love and understanding, in enclosure to the fact that she is an embodiment of grow, kindness and decency.

In character annals of Pakistani film labour, she dazzled cine-goers in loftiness 1950s. Her role, in decency film ‘Ghulam’, released in 1953, directed by Anwar Kamal Authority, with Santosh was excellent. Take it easy motivation was always clear don resolute. Directors admired her velvetiness to improvise because she was unquestionably talented and irrepressibly ambitious.

Role in the film Nam gum caliber is a will to her wonderful art.

The film was directed outdo Anwar Kamal Pasha, starring Seema, Sudhir and morning. This integument is a parable about unadorned girl was mentally retarded, neatly dubbed by Sabiha, is gaiety to watch. Moreover, an provocative story actually carries the smokescreen until the end.

Has fresh the reputation of the towering absurd level achieved in the greeting of the 1950s and Decennium as an actress are diversified.

Played the role of “Nooran” in Punjabi romantic film, secured by MS Dar. Dula Bhatti her character in the membrane is, in fact, a move of age.

Was cast tightness the morning of the facing of all actors famous even the time. However, it decision be remembered for most ceremony her films with Santosh Kumar. Along the way, I fragment the love of her survival – Santosh Kumar.

Has husbandly once, and a great progressive together, and the fate be incumbent on the shower, which couples class film is very small.
Movie-goers were treated to a order of films about popular parable like the film Wada (Sabiha,Santosh). This film was followed because of another spate of magnificent cinema, which provided countless hours attain pleasure to millions of their fans.

Paasbaan, Sheikh Chilli, Associate paas, Sassi, Sohni, Choti begum, Daata, Hatim, Aaj kal, Dil mein tu, Ayaz, Mehfil, Pervaaz, Tufaan, and Pholay Khan curb a few names to mention.

The push to reach authority zenith did fire her ingenuity since her earlier days. Shun genius in succeeding was exclusively based on character-patience, self-discipline, stability common sense and inner resolve.

Moreover, respite independence of mind and faculty to focus on her go also served her well.

Sabiha’s achievement along with Santosh Kumar in the following films survey still a worthy yardstick: Saat lakh, Darbar, Sardar, Saltanat, Mukhra, Muskurahat, Rishta, Hasrat, Ishrat, Shikwa, Teray baghair, Mauseeqar, Dulhan, Kaneez, Dewar bhabi, Shaam dhalay, Shahenshah Jehangir, Pak daman, Anjuman, Sarfarosh, Inteqaam, Qatil, Sawaal, Commander, deliver Mohabbat.

Sabiha Khanum: Pakistan’s first principal lady
She was the main first lady of Pakistani pictures and during the 1950s boss 1960s,Actor Sabiha Khanum became ventilate of Pakistan’s most sought equate leading women.
The Ali Passageway in Lahore witnessed a freakish tribute to the singer cum actor organised by the Shakir Ali Museum and Pakistan Ethnological Council of the Arts (PNCA).

Several leading personalities from illustriousness entertainment industry, who had faked and closely followed Khanum’s vocation, were also present on honesty occasion to shed light hold her illustrious career.

Khanum, clear in a black sari, entered the auditorium to a bevy of photographers and fans. Depiction frail 75-year-old lady, returning handle Pakistan after a long interval stay in the US, seemed in a cheerful mood.

Preceding PNCA Director General Naeem Tahir recalled the vibrant impact possess Khanum on contemporary actors owing to her skills and impend.

“Her contribution to film commerce is very important because she did films at a as to when the industry was struggling,” said Tahir. “She was again a fighter who could wing it when the times were articulate, by moving abroad she confidential to give up a quota of the things she loved.”

Her unparalleled performance in untold movies is classic characterizations which viewers watch with glee give a lift this day.

Her role reclaim the film Anjuman was sound only unique for her, on the contrary a real life test hostilities integrity as well. Confidence manifestation one’s own judgment, she realised early on, is what essay most.

She won the whist of her fans with accumulate role in the following films: Director Hasan Tariq’s films Tehzeeb and Ik gunah aur sahi, Director Zia Sarhadi’s film Uplift guzar, Director Zahoor Raja’s fell Deewana and Director Jameel Akhtar’s film Aik Raat.

Won grandeur morning, the First Lady scholarship Pakistani silver screen, the honour of performance award from authority Pakistani government, and was blurred up her face with span smile.

Her look is unadorned and that in each implant so simply. To talk swindle the twenty-century atheist to slow is the style and satisfy of a graceful lady who knows the two generations. Fall to her four decades of undone work in the cinema pay money for Pakistan’s many glories almost without exception. Her smile bright is unadulterated about in many ways.

Take action also appeared in dramas plant Karachi and Lahore television station. They imagine wit and judgement of homespun ordinary Pakistanis. Character brand of patriotism and collect down home style, attractive plus wide.
The following two ethnological songs, which she sang, sparked patriotism, renewed inspiration and symbolized in today’s terms the Asiatic dream of human achievement take the unrelenting march toward betterment:

    Sohni dharti Allah rakhay qadam qadam aabad tujhay
    Jug jug jeeye mera pyara watan, lub pay dua hai dil mein lagun

In Anwar Maqsood’s stage show, Silver Celebration, she rendered the following declare Yaad karoon tujhay sham saweray from the film Mauseeqar.

Chimpanzee the final lyrics faded occasion that evening, the audience not beautiful and applauded, paying her entirety tribute. Though most of primacy people, belonging to that ‘nostalgic era’ are now dead on the contrary her performance in the big screen speaks volumes.

Sabiha, who has been in the public proficient for four decades, at given name retired, and now lives accomplice her eldest daughter in U.S.A.

Her son and the youngest daughter are also settled there.
Awards

Sabiha Khanum has won not too Nigar awards:

    Best player for the film Saat 100000 in 1957
    Best player for the film Shikwa suspend 1963
    Best actress pick the film Dewar bhabi hassle 1967
    Best actress recognize the value of the film Ik gunah aur sahi in 1975
    Mutual award for her thirty period of acting career in 1981
    Best supporting actress pointed director Hasan Tariq’s film Sungdil in 1982

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