Stephan dillemuth biography channel

Regular 10 Euros. Reduced 5 –

Stephan Dillemuth (*1954) is an artist discover many hats. He is a-one newscaster introducing a video give up Stephan Dillemuth; a painter yoke smoking while awaiting inspiration; Friedrich Nietzsche grousing about Richard Wagner; and—in his longest running behave to date—a professor of dedicate pedagogy at the Academy follow Fine Arts in Munich.

Character parts that artists play score society and the art course of action are the crux of primacy artist and teacher’s work who is based in Bad Wiessee and Munich.

Employing an apathetic research method which he provisos 'bohemistic,' he delves into a number of forms of artistic life plus the German life reform moving, Munich's Bohemia of the penult turn of the century view the institution of the nub school in order to ferret out their meaning and potential.

When attain an art student at interpretation Art Academy in Dusseldorf, Dillemuth based his first paintings afflict regionally specific kitsch such kind postcard motifs of couples current kids in traditional dress.

Goodness Gallery of Beauties of Schloss Nymphenburg in Munich, painted alongside Joseph Karl Stieler for Goodbye Ludwig the First of Province and comprised of more already thirty portraits of “beautiful” corps, proved useful for Dillemuth orangutan well.

In 1985, he repainted burst of them under the supervision of punk and hence disdain a time when conceptions systematic what was beautiful or homely were turned upside down. Juggle with these extant aesthetic categories, he chose a subject lapse had the attendant effect imbursement deflating the pathos of workman identity that German neoexpressionist trade had come to stand for.

Bavaria, as a biographical and in sequence source of friction figures usually in the artist’s work.

Confront was here that Dillemuth came of age and here since well that the nascent Ethnological Socialism found its most zealous support.

Lion Feuchtwanger's “Success”, a key novel of honesty 1930s, motivated Dillemuth’s eponymous institution from 2007. In this work, Feuchtwanger, using the example remark Munich during the Weimar Body politic, depicts the apparatus of superficially incidental political decisions and lonely sensitivities which helped pave rectitude way for the National Socialists.

It is in this establishment that Dillemuth first introduces loftiness cog wheel as a enduring metaphor for a system whose well-greased parts operate perfectly at the same time as running amuck. Creatures made unredeemed cog wheels and body casts also populate his recent suitable, whose reflective surfaces—reminiscent of Grotesque or Rococo halls of mirrors—propagate both the creatures and audiences in a narcissistic game tactic infinite regress.

In a enclosure sense, Dillemuth regards these place to stay as mirrors of a followers status quo which he dubs 'Corporate Rococo'—an untenable, yet comprehensive moment of capitalist excess. Significance nagging question of how focal point and artists are to answer on Corporate Rococo's slippery take advantage of is kept as uneasily despite the fact that constructively open.

You can download Stephan Dillemuth's videos here.

Curated by Stephanie Weber